You're Still Not Fooling Anybody

Mike White goes after Quentin Tarantino again in this sequel of 'Who Do You Think You're Fooling?'. In this follow-up, Tarantino's 'Pulp Fiction' is the analyzed object and this time White presents the heavily borrowed elements taken from several films (like Aldrich's 'Kiss Me Deadly' and Scorsese's 'American Boy') that end up making part of Quentin's classic.