Polychrome Fantasy
In this early film Norman McLaren shot crystal formations through a low-power microscope, using polarized light with the lower part of the picture masked off. The film was then rewound and a scene of dancers was filmed.
Direction
In this early film Norman McLaren shot crystal formations through a low-power microscope, using polarized light with the lower part of the picture masked off. The film was then rewound and a scene of dancers was filmed.
