There is a strong situation at the opening of this film which takes hold of the attention. King Baggot as the gambler, has a daughter, now grown, from whom he has concealed his occupation. She lives at the country home on the Hudson. A friend of his in the gambling business appears unexpectedly at the home and later insists upon making the facts known to the girl. His motive for doing this was not made quite clear enough, but the picture closes effectively with the father quitting his former life and the sweetheart forgiven by the girl. - The Moving Picture World, March 1, 1913
