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Film with Three Dancers
In this spin-off from his original plan for Relativity (1966), Emshwiller continued with his desire to penetrate 'space in a kind of flying camera, a dream of flying, a kind of sensual, sexual imagery where you were constantly going into an unknown space.' Writing about avant-garde films in the Chicago Sunday Sun-Times, Camille J. Cook called this the 'best picture of the year.'
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