Made with Washington DC's notorious gospel-punk outfit The Make-Up. The musicians seek 'creative asylum' in a subcultural womb. This road movie is, in the words of a Parisian critic, 'comme si Foucault roulait avec les situationistes dans le Scooby-Doo Van'. It is both a lyrical document of a time and space(s) which no longer exist as well as a record of one of the most kick-ass bands on earth.