We and Our Time

I have been always intrigued in the power of photographs and static frames. They definitely appeal to me more than what I could see in them in one dimension. My interests in films derived from static images and the unsaidness in them. Their verbal strength immensely impress me when I see through them and pre-visualise what could really happen to those people , those objects, present in the frame. When I finish composing a photograph, I tend to accelerate or decelerate the geometry in them. They form mirage of allusions to me and in my eyes I see an invisible panel of windows - frames floating in the air around me. Surrounded by such fragile frames I always want to be careful about each of my visuals so that they could also see through me - my portraits. I love to travel more than I want to do anything. And wherever I have been, I have tried and captured moments with catalysing geometry, forms in trigonometric analysis and thereafter I try to add motion in them. Lately I have been trying to stabilise my frames more than ever. I don't know why, but I am definitely feeling that I need not to tell any story hereafter ; rather I'd concentrate on idealising moments and their subjects as per the philosophy, I see in them. Their versions can be different at times, however my images speak of me and my ideas - what I perceive through them.