A small, family Christmas reunion is quickly complicated when Margot is pressured by her visiting brother to confront a buried family secret. Shot on the iPhone4, the raw, but familiar, images of the film capture a fragmented glance into the life of a woman struggling with guilt and uncertainty, while she attempts to renegotiate her most intimate relationships. Opening on the shot of a pulverized, vintage 35mm camera (the once nagging reminder of Margot's own past), the plot unfolds in reverse chronological order-winding back the narrative twenty-four hours, to a time when happiness, or at least contentedness, was more easily found in aversion.