In order to create an organic and psychedelic imagery by the use of Un Chien Andalou's footage as source material, Guillaume Vallee has been playing on the film emulsion for months using different cameraless techniques. As a result, heavy layered images are being shown as sparkles and dying memories. With the sound treatment by Jane L. Kasowicz, from the musical pieces that use to be presented with Un Chien Andalou, used synthesis sound in order to create a new piece. The soundtrack has been transferred into a magnetic tape in order to manipulate the sound in a physical manner in destroying the actual magnetic tape with magnets and direct interactions.