Pendant la nuit

After attending the Ateliers Varan organized in Cairo in 2012, Noha Al Madaawy was able to make a film that is impossible to summarize. We encounter a bride dressed in white, a manicured father, a choreographed dance of mopeds set to the Rite of Spring, some sequences of old-school Egyptian cinema and the Muslim Brotherhood. The graceful editing creates an intimate and captivating evocation of the status of women.