British contemporary artist Wolfe Von Lenkiewicz recounts a narrative about the northern renaissance painter Hieronymus Bosch which reflects upon authenticity in art in context with his 2012 series of large-scale paintings which reconfigured the Dutch master's iconic works such as The Garden of Earthly Delights (c.1490) and The Haywain Triptych (c.1516) into a 'post-historic, trans-cultural manuscripts'.