Heavens

Heavens reflects a fragile parent-child relationship, presented through the mix of various found footage materials intervened with images of Sashka, a girl who lives in present-day Belgrade. The found footage is partly used as a depiction of our parents who were building, but also destroying and abandoning the idea of Yugoslavia. The images of Sashka may be seen as a portrait of the generation living in a gap between the lost identity of their parents and one still to be found.