Danish director Caecilia Holbek Trier grew up at the Villa, a Catholic orphanage in Oslo, Norway, in the 1960s. With punishment and prayers, German nuns raised the children at the orphanage to become good Norwegians and pious Catholics. Like a Eurydice the director returns to Oslo, looking up her siblings-in-fate. What memories appear, when returning to places and reuniting with persons from such a childhood? How has the loveless upbringing affected the children's lives?