First, a hyperreal institution is presented as a metaphor for the social and ideological configuration of contemporary society. Next, a similar setting achieves a similar thing by linking the Hollywood superhero to its 'Homeland Security' apparatus. In conclusion, a suggestion is presented: hands-on traditional activities that reappropriate Capitalist activities as play. To a large extent, this film has been constructed semiotically: as a series of visual-aural symbols with first, second, and third-order significance.